Here is a little dance film I made exploring the question of sufferance in order to find both individual and collective meaning around origin and drive!
Spenser, can you talk a bit about your process? why did you choose to have those images related to those texts? What those images bring? Why this kind of movement in your body?
ooooo, yes, i echo julia's questions here -- would love to hear more about your process...
here are some things i started thinking about:
what is editing as a choreographic mode? or said differently, how, in dance film, does editing of the moving image because an extension of choreography?
one thing i think that dance film, as a genre, has to contend with now is the proliferation and ubiquity of tik tok dance videos, as a genre... so for me, the shots where the camera is stable and the dancer is moving can really index tik tok as an image regime and something can get sort of blank in them because of this... the parts of this piece that i get most excited about are when both the dancer and the camera are moving, the partial shots, the unfixed shots...
i love the editing and glitching of the machine voice that happens... i wonder about pushing this practice, both of machine reading and glitching, even further...
it could be interesting for you to look at some recent video art beyond the sphere of dance... do you know ryan trecartin's work?
layers upon layers upon layers! thank you for building this for us. i'm also interested in the image text relationship. and curious about this video as a ritual. . . movement as ritual, habit, event... somatic proprioception of philosophy? is there a position on words spoken. . .are they affirmed by the gestures we see or do the gestures create a dialectic to the voice over?
Sorry for the delay! Here is a little snippet on some of my choreographic work exploring the body as instrument...fulcrums, engines, axels...I hope you enjoy! https://youtu.be/R3HK-6CAIt0
Day 1 I play the music loud and I dance Day 2 I listen to the music riding a bike Day 3 I listen the music in the airport. 10 hours plane. Day 4 The film premiere. After party: roda de samba. And there the ritual happens. Day 5. Recording the performance. But how to perform a ritual that only happens in relation to others? https://vimeo.com/758533342 password: bodypolitics
Sorry for the late post. My body really got the better of me these last two weeks. Sometime this past spring, my therapist and I were talking about (my) internalized ableism and how it is that I came to know disability and what it means to be disabled. “Who have been your examples of disability?,” she asked me, or some question like that. This led me to think about several family members (including my mother and my mother’s brother, my uncle, both of whom have the same autoimmune disease as me). Then a few months later, I came to think about Victor. Victor was my cousin. He had been born with sickle cell anemia. He eventually died of complications in early 2000. He was 32 years old at the time. I was 7, just a month away from my 8th birthday. I felt tremendous guilt when I eventually thought of Victor and realized that it had taken me so long to think of him, that I had forgotten to think of him, that I had forgotten him in relation to this important, emerging part of my life. Tha...
Spenser, can you talk a bit about your process? why did you choose to have those images related to those texts? What those images bring? Why this kind of movement in your body?
ReplyDeleteooooo, yes, i echo julia's questions here -- would love to hear more about your process...
ReplyDeletehere are some things i started thinking about:
what is editing as a choreographic mode? or said differently, how, in dance film, does editing of the moving image because an extension of choreography?
one thing i think that dance film, as a genre, has to contend with now is the proliferation and ubiquity of tik tok dance videos, as a genre... so for me, the shots where the camera is stable and the dancer is moving can really index tik tok as an image regime and something can get sort of blank in them because of this... the parts of this piece that i get most excited about are when both the dancer and the camera are moving, the partial shots, the unfixed shots...
i love the editing and glitching of the machine voice that happens... i wonder about pushing this practice, both of machine reading and glitching, even further...
it could be interesting for you to look at some recent video art beyond the sphere of dance... do you know ryan trecartin's work?
layers upon layers upon layers! thank you for building this for us. i'm also interested in the image text relationship. and curious about this video as a ritual. . . movement as ritual, habit, event... somatic proprioception of philosophy? is there a position on words spoken. . .are they affirmed by the gestures we see or do the gestures create a dialectic to the voice over?
ReplyDelete